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In this poetry collection, Margaret Randall uses the metaphor of ruins to meditate on time's movement--through memory, through cities, through the leavings of history, and through the bodies of people who have experienced time's transformations and traumas. Randall's ruins include not only Chaco Canyon, Hovenweep, Teotihuacan, Machu Picchu, Kiet Siel, Petra, and sites in ancient Greece and Egypt, but also Auschwitz-Birkenau and lives shattered by torture and oppression.
Always there is that moment of arrival, as another reality rises before me, superimposed upon the one I live today. Sometimes the membrane is torn, and I find myself moving in and out. Boundaries dissolve. A mysterious space, between then and now, warns as it invites: promising revelation and maybe also fresh trauma if I am willing to risk its secrets.--Margaret Randall, in the Introduction
Margaret Randall is a poet, writer, translator, photographer, and activist who has lived in New York, Mexico City, Havana, Cuba, Managua, Nicaragua, and Albuquerque, New Mexico, with short stays in North Vietnam and Lima, Peru. Her time in these places often coincided with major sociopolitical upheavals or pivotal historic moments. She edited an important bilingual literary magazine for eight years out of Mexico City and has known some of the great minds of her generation. When she returned to the United States, the US government ordered her deported because of opinions expressed in some of her books, and she was forced to wage a five-year battle for restoration of citizenship. Her correspondence with those she met along the way makes for exciting reading.
Randall is the recipient of numerous international awards and the author of over 200 books, four of which were published by New Village Press: My Life in 100 Objects, Artists in My Life, Risking a Somersault in the Air, and Luck.
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