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Collected here, 70 years later and for the first time ever, is that swift-changing second half of the 19-issue run. Future Marvel stars Bill Everett (seven issues) and Werner Roth (three issues) take Venus to heights of four-color weirdness and pre-Code horror ghastliness. Everett in particular is given free rein and seizes the opportunity: writing, drawing, and lettering twenty ghoulish and goofy masterpieces, including classics like "Hangman's House," "The Day Venus Vanished," "The House of Terror," "The Sealed Spectors," Tidal Wave of Terror," and the phantasmagorical "Cartoonist's Calamity!" These stories showcase the brilliant draftsmanship and storytelling of Everett, one of the giants of the 1940s and '50's comic book industry. His slick, fluid line rendered at Timely/Atlas, from his seminal god-child Prince Namor, the Sub-Mariner, to the atomic age Marvel Boy, is some of the finest pre-Code horror this side of E.C.'s Graham Ingels.
Series editor Dr. Michael J. Vassallo assisted in the compilation of the first volume of Venus for Marvel 13 years ago, and Fantagraphics is delighted to publish the horror half as the second title in The Fantagraphics Atlas Comics Library.
Bill Everett (1917-1973) was the foundational artist of Marvel Comics. He originated Namor, the Sub-Mariner as a freelance creation, before placing it in Marvel Comics #1, the first publication from Timely Comics, later Atlas, then Marvel. Everett wrote and drew the early appearances of the character from 1940-42, and would periodically return to him during the post-war '40s, right up until the early 1970s. During Atlas' heyday, Everett worked extensively on horror anthology shorts, including taking over the romance/fantasy series Venus and converting it to straight horror. After Marvel's wholesale move to a superhero universe, Everett co-created the blind hero Daredevil with editor/scripter Stan Lee.
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