National Gallery
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Jonathan Ball’s fourth poetry book, the first in seven years, swirls chaos and confession together. At the book’s heart is a question: Why create art? A series of poetic sequences torment themselves over this question, offering few answers and taking fewer prisoners. Loose sonnets that consider the artistic creations of Leatherface, monster-killer from The Texas Chain Saw Massacre, sit alongside Rilkean elegies for an iPhone. Surreal meditations on the collage work of Guy Maddin are followed by all of the lines from Melville’s Moby-Dick that mention “salt.” Politicians and painters jostle while absurdist humour crashes into stark admissions of vulnerability in the wake of having children. A startling diversity of styles and subjects feed into the maelstrom of The National Gallery, and its dark currents will draw you in to drown.
Jonathan Ball
Jonathan Ball is the author of eight books, including Ex Machina, Clockfire, and The National Gallery. He lives in Winnipeg and has won many awards, including a Manitoba Book Award for Most Promising Manitoba Writer. He hosts Writing the Wrong Way, the podcast for writers who strive to be bold and readers who crave something new. Visit him at www.jonathanball.com.
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