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Wolfgang Koeppen is the most important German novelist of the past seventy years: a radical, not to say terrifying, stylist; a caustic, jet-black comedian; a bitter prophet. His late, autobiographical work--the short, intense autofiction, Youth, translated here for the first time--is a portrait of the little north German town of Greifswald before World War I, and is a miracle of compression: this is not historical fiction, but a kind of personal apocalypse. Also included here, in Michael Hofmann's brilliant translation, is one of Koeppen's very last works: a short, fragmentary text spoken over a 1990 German television program depicting his return visit to the town of his schooldays.
Wolfgang Koeppen (1906-1996) was born in Greifswald and died in Munich. He worked as a junior chef, a dramaturge, and an editor. In 1951, 1953 and 1954 three novels were published to high acclaim for accurately capturing the atmosphere of the republic under Konrad Adenauer: Pigeons on the Grass, The Hothouse, and Death in Rome.
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