Tell us what's wrong and we'll take a look.
Thanks – we got it. We'll review and follow up if needed.
This book is one long poem in many sections. It is the "masterwork" of this avante garde poet, who has been working on this composition for a decade.
In Drafts 1-38, Toll, Rachel Blau DuPlessis has built a work which mimics memory and its losses, and which plays with the textures of memory, including its unexpectedness, its flashes and disappearances. Her recurrent motifs and materials include home, homelessness and exile; death and the memory of the dead; political grief and passion; silence, speech, the sayable and the ineffable. Drafts 1-38, Toll functions as a long poem comprised of 38 pieces, or drafts. These poems are conceived as autonomous "canto-like" sections that work on two procedural principles. One is the random repetition of lines or phrases across poems, a self-questioning, processual, and reconceptualizing strategy that honors the term "drafts." A second procedural principle is "the fold." This is the reconsideration of a "donor draft" and the deployment of some aspect in the donor draft in a related draft. The periodicity of this reconsideration is the number 19; hence drafts 1-19 make up the original layer, while drafts 20-38 constitute the first fold on top of this material.
Rachel Blau DuPlessis is a poet, critic and collagist who has written extensively on gender, poetry, and poetics, along with other social locations in texts. As a SELECTED POEMS 1980-2020, this volume from CHAX Press is a career survey of stylistic and thematic scope. Her work in poetry is centered by the multi-volume long poem Drafts, 114 cantos (1986-2012), whose range and intensities move from the cosmological to the granular, from joy to historical trauma. Her newest critical book A Long Essay on the Long Poem (University of Alabama Press, 2023) schematizes the purposes and poetics of long modes. Beyond the two collage works from Drafts, DuPlessis has also published the book-length collage poems Graphic Novella (2015), Numbers (2018), and Life in Handkerchiefs (2022). The collections of Traces, with Days, her twenty-first century serial poem in book- sized episodes, examine contemporary historical materials and the personal quotidian within the fine mesh of poetic discourses. DAYS AND WORKS, LATE WORK, AROUND THE DAY IN 80 WORLDS, Poetic Realism, and Daykeeping, published from 2017 to 2023 are episodes in this current grouping. Her critical work is noted for a trilogy about gender and poetics, The Pink Guitar (1990, 2006), Blue Studios (2006), and Purple Passages (2012). She edited The Selected Letters of George Oppen and has commented variously on other poets in the Objectivist formation.
Readwise Books is an ebook & audiobook platform that automatically logs how much you and your friends read, making it fun and easy to read more. Learn more →
Enter your email to continue. We'll create your account if you're new here.