Book cover for School for the Unspeakable by Manly Wade Wellman

School for the Unspeakable

2020 Released
18 Pages
0-1 Hours
Audiobook Unavailable
Paperback Unavailable
Hardback Unavailable
Wildside PressISBN 9781479454143

“The headmaster was a proper churchgoer,” began Hoag, as though he were the spokesman for the group. “He didn’t have any use for devils or devil-worship. Went on record against them when he addressed us in chapel. That was what started us.”

“Right,” nodded Andoff, turning up his fat, larval face. “Anything he outlawed, we wanted to do. Isn’t that logic?”

“Logic and reason,” wound up Felcher. His hairy right hand twiddled on the sill near Setwick’s thigh. In the moonlight it looked like a big, nervous spider.

Hoag resumed. “I don’t know of any prohibition of his it was easier or more fun to break.”

Setwick found that his mouth had gone dry. His tongue could barely moisten his lips. “You mean,” he said, “that you began to worship devils?”

Manly Wade Wellman

Manly Wade Wellman was an American writer of fantasy, horror, mystery, science fiction, folklore, and regional fiction. Born in Portuguese West Africa in 1903 and raised partly in the American South, Wellman developed a lifelong interest in folk traditions, legends, supernatural belief, music, and the hidden strangeness of rural places. His work appeared in many major pulp and genre magazines, including Weird Tales, where his stories helped make him one of the memorable voices of twentieth-century weird fiction.Wellman wrote across a remarkable range. He produced science fiction, detective stories, historical fiction, comic-book scripts, juvenile books, and supernatural tales, but he is especially admired for fiction rooted in Appalachian folklore and American backwoods legend. His characters include the occult investigator Judge Pursuivant, the wandering silver-stringed guitarist John, and other figures who confront ghosts, curses, monsters, and old powers lingering in the mountains and small towns of America.Wellman's best work is distinctive because it treats folklore not as decoration, but as living material. He understood the music, speech, fears, and inherited stories of regional culture, and he brought them into weird fiction with warmth, conviction, and craft. He won major genre recognition during his career and remains a key writer for readers interested in supernatural fiction that feels deeply tied to place, oral tradition, and the older shadows beneath American life.

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