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'Britain's equivalent to Patricia Highsmith, Celia Fremlin wrote psychological thrillers that changed the landscape of crime fiction for ever: her novels are domestic, subtle, penetrating - and quite horribly chilling.' Andrew Taylor
Celia Fremlin's third collection of stories, first published in 1984, is a baker's dozen of gripping tales by the mistress of suspense. Within these covers are stories of family frustrations and fury - a young wife who wants rid of her husband, an elderly daughter who cannot endure her mother. Fremlin deals in the uncanny, too, constantly confounding our expectations, and those of her characters.
'Wonderfully written, subtle and disturbing.' Times
'Written with such perception and elegance that they repay many readings.' Glasgow Herald
'Celia Fremlin is an astonishing writer, who explores that nightmare country where brain, mind and self battle to establish the truth. She illuminates her dark world with acute perception and great wit.' Natasha Cooper
Celia Fremlin (1914–2009) was born in Kent and spent her childhood in Hertfordshire, before studying at Oxford. During World War II, she served as an air-raid warden before becoming involved with the Mass Observation Project, collaborating on a study of women workers, War Factory. After the loss of her husband and youngest daughter to separate tragedies, Fremlin briefly relocated to Geneva. In 1985, she married Leslie Minchin, with whom she lived until his death in 1999. Over four decades, Fremlin wrote sixteen celebrated novels—including the classic summer holiday mystery Uncle Paul—one book of poetry and three short-story collections. Her debut novel The Hours Before Dawn won the Edgar Award in 1960.
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