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Edgar G. Ulmer: Detour on Poverty Row illuminates the work of this under-appreciated film auteur through 21 new essays penned by a range of scholars from around the globe. Ulmer, an immigrant to Hollywood who fell from grace in Tinseltown after only one studio film, became one of the reigning directors of Poverty Row B-movies.
Structured in four sections, Part I examines various contexts important to Ulmer's career, such as his work at the Producers Releasing Corporation (PRC), and his work in exploitation films and ethnic cinema. Part II analyzes Ulmer's film noirs, featuring an emphasis on Detour (1945) and Murder Is My Beat (1955). Part III covers a variety of Ulmer's individual films, ranging from Bluebeard (1944) and Carnegie Hall (1947) to The Man from Planet X (1951) and Daughter of Dr. Jekyll (1957). Part IV concludes the volume with a case study of The Black Cat (1934), offering three different analyses of Ulmer's landmark horror film.
Gary D Rhodes
Gary D. Rhodes is professor of media production at Oklahoma Baptist University. He is author of numerous books, including The Perils of Moviegoing in America: 1896-1950 and The Birth of the American Horror Film. He is also writer/director of such films as Lugosi: Hollywood's Dracula and Banned in Oklahoma. He is coeditor (with Robert Singer) of Film by Design: The Art of the Movie Poster, published by University Press of Mississippi.
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