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For those who look, and think deeply, new connections emerge. Peter Doherty, one of the world's foremost authorities on immunology, recipient of the Nobel Prize for medicine, and an active and respected commentator on public health, reflects in this book on empire, war and tennis. Doherty identifies the origins of modern tennis within its imperial context, relating seemingly unlikely connections between the sport, its players and national militaries. He traces the fate of tennis-and its players-as a nascent force for internationalism and cultural tolerance within the context of World War II. And he personalises this account through an unsentimental but revealing depiction of his tennis-loving Queenslander uncles, at war and in captivity in the Pacific. As Doherty shows, tennis and war have threaded their way through the lives of many people since the nineteenth century, in a way intriguingly unique to this sport. This is part of Peter's story. And, as we come to realise, it is also part of the story of our world.
Peter Doherty is primarily known to fans of the Galaxy's Greatest Comic as artist of the Young Death series, which opened the Judge Dredd: Megazine's first volume, but he has also contributed extensively to Judge Dredd, working on the epic Judgment Day as well as many shorter stories, including John Wagner's classic 'Bury My Knee At Wounded Heart'. Outside of 2000 AD, Doherty's comic work includes The Dreaming, Superman/Batman: World's Finest and a Grendel Tales series and Shaolin Cowboy.
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