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In 1955, having just resigned from his high-profile but stormy career with Life Magazine, W. Eugene Smith was commissioned to spend three weeks in Pittsburgh and produce one hundred photographs for noted journalist and author Stefan Lorant's book commemorating the city's bicentennial. Smith ended up staying a year, compiling twenty thousand images for what would be the most ambitious photographic essay of his life. But only a fragment of this work was ever seen, despite Smith's lifelong conviction that it was his greatest collection of photographs.
In 2001, Sam Stephenson published for the first time an assemblage of the core images from this project, selections that Smith asserted were the "synthesis of the whole," presenting not only a portrayal of Pittsburgh but of postwar America. This new edition, updated with a foreword by the poet Ross Gay, offers a fresh vision of Smith's masterpiece.
Sam Stephenson is a writer and documentarian born in Washington, North Carolina. He is the author of Dream Street: W. Eugene Smith's Pittsburgh Project and The Jazz Loft Project: Photographs and Tapes of W. Eugene Smith from 821 Sixth Avenue, 1957-1965, as well as many pieces for publications such as the New York Times, the Paris Review, Tin House, and the Oxford American. He is a former fellow of the National Endowment for the Humanities, a two-time Deems Taylor/Virgil Thomson Award winner, and the 2012-2013 Lehman Brady Visiting Joint Chair Professor in Documentary Studies and American Studies at Duke University and UNC-Chapel Hill. He lives in Durham, North Carolina, where in 2013 he founded Rock Fish Stew Institute of Literature & Materials.
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