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Virginia Woolf's short fiction has long been acknowledged as the place where she tried out some of her more experimental techniques before adopting and adapting them for use in her novel-length works. While this is certainly true, it is also the case that these short pieces are now increasingly being recognized as important works of art in their own right, rather than simply flights of experimental fancy awaiting their full actualization in the novel form.
This new edition edited by Bryony Randall emphasises the startling variety in Woolf's experimentation during the most productive period of short fiction writing in Woolf's life, the late 1910s through to the end of the 1920s. It draws readers' attention to the deep political engagements evident across the range of her work and on the recent burgeoning of work in modernist print culture to set out the importance of the material context of these works' initial publication and reception.
David Bradshaw (1955-2016) was Professor of English Literature at Oxford University and a Fellow of Worcester College. He was editor of Virginia Woolf's Mrs Dalloway, To the Lighthouse, Selected Essays and The Waves for the Oxford World's Classics Series, and of The Years (with Ian Blyth) and A Room of One's Own (with Stuart N. Clarke) for the Shakespeare Head Press. David also edited and contributed to The Cambridge Companion to E.M. Forster, A Companion to Modernist Literature and Culture, and Prudes on the Prowl: Fiction and Obscenity in England, 1850 to the Present Day. He edited Aldous Huxley's Brave New World for Vintage Classics and was a founder of the Evelyn Waugh project to publish the first Complete Works of Waugh's writing.
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