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Garréta’s first novel in a decade follows the mania that descends upon a family when the father finds himself in possession of a concrete mixer. As he seeks to modernize every aspect of their lives, disaster strikes when the younger sister is subsumed by concrete.
Through puns, wordplay, and dizzying verbal effect, Garréta reinvents the novel form and blurs the line between spoken and written language in an attempt to confront the elasticity of communication.
Translated by
Emma Ramadan (translator) is the recipient of the PEN Translation Prize, the Albertine Prize, an NEA Fellowship, and a Fulbright Scholarship. Her translations include Barbara Molinard’s Panics, Virginie Despentes’s Pretty Things, and Abdellah Taïa’s A Country for Dying. She lives in Brooklyn.
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