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"Make no bones about it," Chelsea Rathburn writes: "Juliana's Gray's dark and dangerous third collection is preoccupied with death." The sometimes macabre, often witty poems of Honeymoon Palsy move through history and myth, the public and the personal, culminating in a central series combining Hamlet with elegies for Gray's father, who died suddenly the day after his second wedding. In poems about art, desire, marriage, and murder, Gray leavens mortality with wry humor, reminding readers that we all are "waiting to feel the catch / of some great, unbearable hook."
A graduate of Stanford University with an MBA from Columbia, Beatriz Williams spent several years in New York and London hiding her early attempts at fiction, first on company laptops as a communications strategy consultant, and then as an at-home producer of small persons, before her career as a writer took off. She lives with her husband and four children near the Connecticut shore.
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