Dona Perfecta

The very acute and lively Spanish critic who signs himself Clarin, and is known personally as Don Leopoldo Alas, says the present Spanish novel has no yesterday, but only a day-before-yesterday. It does not derive from the romantic novel which immediately preceded that: the novel, large or little, as it was with Cervantes, Hurtado de Mendoza, Quevedo, and the masters of picaresque fic-tion.