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Reading Blindly attempts to conceive of the possibility of an ethics of reading--"reading" being understood as the relation to an other that occurs prior to any semantic or formal identification, and therefore prior to any attempt at assimilating what is being read to the one who reads. Hence, "reading" can no longer be understood in the classical tradition of hermeneutics as a deciphering according to an established set of rules as this would only give a minimum of correspondence, or relation, between the reader, and what is read. In fact, "reading" can no longer be understood as an act, since an act by necessity would impose the rules of the reader upon the structure of what (s)he encounters; in other words the reader would impose herself upon the text. Since it is neither an act nor a rule-governed operation, "reading" needs to be thought as an event of an encounter with an other--and more precisely an other which is not the other as identified by the reader, but heterogeneous in relation to any identifying determination. Being an encounter with an undeterminable other--an other who is other than other--"reading" is hence an unconditional relation, a relation therefore to no fixed object of relation. Hence, "reading" can be claimed to be the ethical relation par excellence. Since "reading" is a pre-relational relationality, what the reader encounters, however, may only be encountered before any phenomenon: "reading" is hence a non-phenomenal event or even the event of the undoing of all phenomenality. This is a radical reconstitution of reading positing blindness as that which both allows reading to take place and is also its limit. As there is always an aspect of choice in reading--one has to choose to remain open to the possibility of the other-- Reading Blindly, by extension, is also a rethinking of ethics; constantly keeping in mind the impossibility of articulating an ethics which is not prescriptive. Hence, Reading Blindly is ultimately an attempt at the impossible: to speak of reading as an event. And since this is un-theorizable--lest it becomes a prescriptive theory-- Reading Blindly is the positing of reading as reading, through reading, where texts are read as a test site for reading itself. Ostensibly, Reading Blindly works at the intersections of literature and philosophy; and will interest readers who are concerned with either discipline. However as reading is re-constituted as a pre-relational relationality, it is also a re-thinking of communication itself--a rethinking of the space between; the medium in which all communication occurs--and by extension, the very possibility of communicating with each other, with another. As such, this work is, in the final gesture, a meditation on the finitude and exteriority in literature, philosophy--calling into question the very possibility of correspondence, and relationality--and hence knowledge itself. For all that can be posited is that reading first and foremost is an acknowledgement that the text is ultimately unknowable; where reading is positing, and which exposes itself to nothing--and is in fidelity to nothing--but the possibility of reading.
Jeremy Fernando reads, writes, and makes things.He works in the intersections of literature, philosophy, and art; and his, more than thirty, books include Reading Blindly, Living with Art, Writing Death, in fidelity, Tómate un paseo por el lado oscuro del camino, resisting art, Writing Skin, A Ghost Never Dies, The feather of Ma'at, I wish we were lovers, and Jeremy Fernando by Jeremy Fernando. His writing has also been featured in magazines and journals such as Arte al Límite, Berfrois, CTheory, Cenobio, Entropy, Full Bleed, Poiesis, Philosophy World Democracy, Queen Mob's Teahouse, Qui Parle, RIC Journal, Testo e Senso, TimeOut, and Voice & Verse Poetry Magazine, amongst others; and has been translated into the Brazilian-Portuguese, Chinese, French, German, Italian, Japanese, Korean, Portuguese, Serbian, Spanish, and Turkish. Exploring other media has led him to film, music, performance-readings, and the visual arts; and his work has been exhibited in Seoul, Vienna, Hong Kong, Lisbon, and Singapore. He has been invited to read at the Akademie der Künste in Berlin in September 2016; and to deliver a series of performance-readings at the 2018, 2020, and 2022 editions of the Bienal de la Imagen en Movimiento in Buenos Aires, the latter at which he also curated a filmic omnibus entitled reading dreaming malaya. He is the general editor of Delere Press; curates the thematic magazine One Imperative; is the Jean Baudrillard Fellow at The European Graduate School; co-creator of the private dining experience, People Table Tales; and the writer-in-residence at Appetite, the sensorial laboratory exploring the cross-roads of food, music, and art.
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