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With internationalist aspirations and wide-ranging historical perspectives, East German films about artists and their work became hotly contested spaces in which filmmakers could look beyond the GDR and debate the impact of contemporary cultural policy on the reception of their pre-war cultural heritage. Spanning newsreels, documentaries, and feature films, Screening Art is the first full-length investigation into a genre that has been largely overlooked in studies of DEFA, the state-owned Eastern German film studio. As it shows, “artist-films” played an essential role in the development of new paradigms of socialist art in postwar Europe.
Seán Allan
Seán Allan is Professor of German at the University of St Andrews and holds a Joint Research Professorship in Neuere Deutsche Literaturwissenschaft at the University of Bonn. His publications include Re-Imagining DEFA: East German Cinema in its National and Transnational Contexts (co-edited with Sebastian Heiduschke, Berghahn Books, 2016), Screening Art: Modernism and the Socialist Imaginary in East German Cinema (Berghahn Books, 2019), and Inspiration Bonaparte: German Culture under Napoleonic Occupation (Camden House, 2021).
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