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“He’s not young!” said Dad. “He’s old enough to learn the truth about life!” “And you know all about that,” Mom said, with a sarcastic laugh. “I know. Of course I know!” Dad poured another beer and drank half a glass, then turned to me. “Actually, son, it’s not hard to live a wonderful life. Listen to me. Choose a tough, world-class problem, one that requires only a sheet of paper and a pencil, like Goldbach’s Conjecture or Fermat’s Last Theorem, or a question in pure natural philosophy that doesn’t need pencil and paper at all, like the origin of the universe, and then throw yourself entirely into research. Think only of planting, not reaping, and as you concentrate, an entire lifetime will pass before you know it. That’s what people mean by settling down. Or do the opposite, and make earning money your only goal. Spend all of your time thinking about how to make money, not about what you’ll do with it when you make it, until you’re on your deathbed clutching a pile of gold coins like Monsieur Grandet, saying: ‘It warms me …’ The key to a wonderful life is a fascination with something. Me, for example—” Dad pointed to the watercolors lying all over the room. They were done in a very traditional style, properly composed, but lacking all vitality. The paintings reflected the lightning outside like a set of flickering screens. “I’m fascinated with painting even though I know I can’t be van Gogh.”
The Three-Body Problem
Cixin Liu and Ken Liu
Down on the formation, the ant wanted to turn toward the sky, but then discovered another trough ahead of it, identical to the “9”-shaped trough it had crawled through before the “7.” So it continued horizontally through the “9,” which it found better than both the “7” and the “1.” although it could not say exactly why. Its aesthetic sense was primitive and single-celled. The indistinct pleasure it had felt upon crawling through the “9” intensified. A primitive, single-celled state of happiness. These two spiritual monocells, aesthetics and pleasure had never evolved. They had been the same a billion years ago, and would be the same a billion years hence.
The Dark Forest
Cixin Liu
Some scholars imagine ancient hunter-gatherer societies as peaceful paradises, and argue that war and violence began only with the Agricultural Revolution, when people started to accumulate private property. Other scholars maintain that the world of the ancient foragers was exceptionally cruel and violent. Both schools of thought are castles in the air, connected to the ground by the thin strings of meagre archaeological remains and anthropological observations of present-day foragers.
Sapiens
Yuval Noah Harari
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