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PJ: He wasn’t resistant, but he wasn’t meant for that offense. We kind of had to gerrymander. Michael operated out of the post better than anyone I’ve ever seen coaching or playing. His elevation—he could shoot that turnaround jump shot against anyone, and he had that drop step he used until they eventually began calling traveling on him. But he was very slick and drop-stepped to his right shoulder. Then the next year we moved him down to forward and put Pippen at guard, and that made the whole difference. Pippen had a guard mentality. Pippen rebounded and could take the ball the length of the court; he was a wing runner. And then they were ready.
Masters of the Game
Sam Smith and Phil Jackson
Coleman, who had fought with the 187th Regimental Combat Team under Almond, believed his lack of interest in the way the Chinese fought, his failure to learn from earlier battles against them, was but one more reflection of what he called Almond’s “incipient racism.” In the weeks that followed the battles in the north that had gone so badly, none of his commanders was ever summoned to discuss what had been learned so far about the Chinese. “Post-Korea we did a lot of studies on their tactics,” Coleman said years later, “but at the time we did very little—there was no attempt to put together as quickly as we could in those first few weeks what we had learned about them, their tactics, their strengths, weaknesses, logistical limitations, how they tried to panic you and then set up an ambush south of you. There was a lot to learn and we didn’t learn it. It was as if we didn’t need to—they were not seen as a foe worthy of study. And it cost us badly at Hongchon and Hoengsong and Wonju [all part of the greater battle for Wonju]. I’ve always put it off to a kind of innate, unconscious American racism. Almond failed to learn quickly enough from the first defeat and I think it was because his prejudices blocked out his intelligence.” As late as mid-February, Almond seemed to think all he had to do was hit the Chinese a little harder, Coleman believed. “His racism tainted every decision he made in battle,” Coleman said.
The Coldest Winter
David Halberstam
Both King and Hill were utilizing forms of copywork, a technique popularized by Benjamin Franklin and practiced by literary greats F. Scott Fitzgerald, Jack London, and Hunter Thompson. It involves studying an exceptional piece of writing, setting it aside, and then re-creating it word for word from memory, later comparing your version to the original. Many of the painters we now celebrate as creative geniuses devoted a significant portion of their careers to copywork. Claude Monet, Pablo Picasso, Mary Cassatt, Paul Gauguin, and Paul Cézanne all developed their skills by copying the works of the French painter Eugène Delacroix. Delacroix himself spent years copying the Renaissance artists he grew up admiring. And even those Renaissance greats—Raphael, Leonardo da Vinci, Michelangelo—honed their craft by reproducing the work of their fellow artists, including one another.
Decoding Greatness
Ron Friedman
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