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Revision is the secret to their troubles—and yours. That, and a sense of quality that exceeds what you can do—that gives you something to strive for. Actually, every writer needs two selves—the generative self and the editor self. In the early draft, the generative self shakes pom-poms at every pen stroke and cheers every crossed t. In a month or so, this diligent and optimistic creature gins out, say, two hundred pages.
The Art of Memoir
Mary Karr
THE PROFESSIONAL DOES NOT WAIT FOR INSPIRATION We're all nothing without the Muse. But the pro has learned that the goddess prizes labor and dedication beyond any theatrical seeking of her favors. The professional does not wait for inspiration; he acts in anticipation of it. He knows that when the Muse sees his butt in the chair, she will deliver.
Turning Pro
Steven Pressfield
The split self or inner conflict must manifest on the first pages and form the book’s thrust or through line—some journey toward the self’s overhaul by book’s end. However random or episodic a book seems, a blazing psychic struggle holds it together, either thematically or in the way a plot would keep a novel rolling forward.
The Art of Memoir
Mary Karr
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