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In 1978 I began teaching artists how to “unblock” and “get back on their feet” after a creative injury. I shared with them the tools I had learned through my own creative practice. I kept it all as easy and gentle as I could. “Remember, there is a creative energy that wants to express itself through you”;

The Artist's Way

Julia Cameron

Tom was always a great part of the team, and he would often run with us in the morning, even when he had been up half the night, if not all of it, recutting sails or redirecting our entire computer-analysis programs. His arsenal was huge. He estimated very early on that we would be taking to Newport 40 genoas, 10 mainsails, and 50 spinnakers, with probably 20 sails on the boat for anyone race. Each sail’s shape, configuration, and driving power were Tom’s responsibility. And he attended to every single detail throughout the campaign. He was not interested in extravagance, only in scientific conclusions. For instance, in the American camp, if a sail is not doing its job, Dennis Conner will just whistle up a half-dozen new sails. In earlier campaigns, we had a tendency to do the same thing. Tom detested this approach. He thought it was crazy because he did not think sail manufacturing was sufficiently accurate. He thought recutting was more progressive, correctly working to a scientific conclusion. Once we had a sail that was good, we just kept recutting it, sometimes to a fraction of an inch, keeping it good, dealing with the stretch instead of starting again with a new one. In that way he was extremely conservative, but he was at the same time extremely potent, because he made sure we always had our fingers on every pulse with great accuracy. Amusingly, after all this heavy concentration on his job, Tom’s hobby is sailboarding. He is, I suppose, totally consumed with the effect of the wind in the intricate science of driving a boat, of whatever weight, forward. Money does not do it for him—nor, apparently, does recognition, for in his own country he is just about unknown, despite his international reputation. Tom’s raison d’être is, I suppose, the pursuit of excellence for the sake of pure excellence. That is an ennobling way of living your life and one of which I very much approve.

Born to Win

John Bertrand

Both Jobs and Gates reaped enormous benefit from studying the works of their contemporaries, extracting crucial insights, and applying those lessons to develop new products. And they are not alone. The history of computing is not a history of independent acts of brilliance. It is the story of probing innovators learning from one another, combining ideas from multiple sources, and introducing new products and technologies that evolve from those preceding them.

Decoding Greatness

Ron Friedman

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