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In my first three years at Princeton High School, in the late nineteen-forties, my English teacher was Olive McKee, whose self-chosen ratio of writing assignments to reading assignments seems extraordinary in retrospect and certainly differed from the syllabus of the guy who taught us in senior year. Mrs. McKee made us do three pieces of writing a week. Not every single week. Some weeks had Thanksgiving in them. But we wrote three pieces a week most weeks for three years. We could write anything we wanted to, but each composition had to be accompanied by a structural outline, which she told us to do first. It could be anything from Roman numerals I, II, III to a looping doodle with guiding arrows and stick figures. The idea was to build some form of blueprint before working it out in sentences and paragraphs. Mrs. McKee liked theatrics (she was also the school’s drama coach), and she had us read our pieces in class to the other kids. She made no attempt to stop anybody from booing, hissing, or wadding paper and throwing it at the reader, all of which the kids did. In this crucible, I learned to duck while reading. I loved Mrs. McKee, and I loved that class. So—a dozen years later, when Mort Sahl was overwhelming me, and I was wallowing in all those notes and files—I thought of her and the structure sheets, and despite the approaching deadline I spent half the night slowly sorting, making little stacks of thematically or chronologically associated notes, and arranging them in an order that seemed to hang well from that lead sentence: “The citizen has certain misgivings.” Then, as I do now, I settled on an ending before going back to the beginning. In this instance, I let the comedian himself have the last word: “‘My considered opinion of Nixon versus Kennedy is that neither can win.’”
The first step is to develop and maintain a low-information diet. Just as modern man consumes both too many calories and calories of no nutritional value, information workers eat data both in excess and from the wrong sources. Lifestyle design is based on massive action—output. Increased output necessitates decreased input. Most information is time-consuming, negative, irrelevant to your goals, and outside of your influence. I challenge you to look at whatever you read or watched today and tell me that it wasn’t at least two of the four.
The 4-Hour Workweek
Timothy Ferriss
Another great source for bargains includes the unlikely niche of stocks coming out of bankruptcy.
The Big Secret for the Small Investor
Joel Greenblatt
...catch up on these, and many more highlights
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